(Monday 27 October 2008)
MALCOLM BURNS reviews the latest goings-on north of the border.
Ye shall be queen
BLINK and ye missed it. The film which tells the yarn of the Glasgow University Scottish Nationalist Association students who stole the Stone of Destiny from Westminster Abbey at Christmas 1950 was only on in Scotland and it was only on last week. That's what you call a limited release!This turkey won't even reach Christmas. Despite some high-grade Scottish movie stars like the normally brilliant Robert Carlyle, it received a critically lukewarm reception on its premiere at the Edinburgh Film Festival in June.
It's not exactly Braveheart, more of a harmless caper movie of the sort produced by Ealing studios in black and white. Though not so good.
At least it was filmed on location in Scotland. My 10-year-old daughter was keen to see it because our street is in it, complete with period cars and vans and our tenement.
The direction and the script were pretty shallow. The political background in the film was sketchy and cartoonish, the low point being the depiction of saltire-brandishing Glaswegians dancing in the streets when they heard the news that the Stone was back home. As if.
While the film itself is a bit fey, the political background to the stunt that it commemorates is quite interesting.
John McCormick, chief political mentor to the Stone of Destiny heist students, was an ex-Labour Party home ruler who helped set up the Scottish National Party in the 1930s, only to quit in the 1942 split, disillusioned by the narrow fundamentalist pro-independence majority in the new party.
The broad front devolutionary approach that he sought was realised in the post-war national assemblies, where churches joined trade unions and town councils, and in the Scottish Covenant Association. Taking its name from a famous tradition of Scottish Presbyterian history, the covenant was a flowery declaration of Scotland's right to rule itself.
Dougie Bain, writing in Marxism Today in August 1978 during another period of devolutionary turmoil, describes what happened next.
"The labour movement responded to the initiative. The Scottish Labour Party included the call for a Scottish parliament in its 1945 election manifesto and the movement was heavily involved in the ensuing covenant campaign which attracted two-and-a-half million signatures demanding devolution of power to a Scottish Parliament."
That phenomenal covenant petition snowballed from about 1,200 signatures at the third National Assembly on The Mound in Edinburgh on October 29 1949, with unprecedented thousands of activists going door-to-door and conducting stalls and street campaigning in the following months. Scotland went a bit devolution mad.
"But," Bain continues, "the post-war Labour government was unmoved by it all and confined its response to a white paper suggesting a minor extension of the scope of the Scottish Grand Committee."
Not for the first or last time, Labour gave birth to a mouse.
Even if, as Andrew Marr suggests in his essential 1992 book The Battle for Scotland, some of the two million covenant signatures were Donald Ducks or Mickey Mouses, the scale of popular support for devolution which had been expressed was massive.
So, the disappointment for a romantic home ruler like McCormick must have been intense. In fact, the narrow SNP nationalism which he had rejected and the broad-based mass-supported devolution initiative which he had embraced had both failed to deliver anything. That was the context in which the student plan to snatch the Stone of Destiny came about.
The squat oblong block of red sandstone with metal carrying rings was the legendary coronation seat of Scotland's kings before Edward I of England captured it in 1296, so its retrieval would symbolise the return of Scottish sovereignty. Hokum then, as now, of course.
The bizarre Stone of Destiny caper was better rendered in the songs written soon afterwards than by the present cinematic effort. The late, great Norman Buchan put one of the best of these ballads, The Wee Magic Stane by John McEvoy, in his 1962 collection 101 Scottish Songs.
The song claims that, as the "wild folk up yonder … didnae believe it wis magic at a'," numerous replica versions of the stone were made and the original was mixed up with the copies. Though a stone of destiny was returned to Westminster in 1951, it is unclear whether it was the real one.
So, the song goes, "If ever ye come on a stane wi' a ring/Jist sit yersel' doon and appoint yersel King/Fur there's nane wud be able to challenge yir claim/That ye'd croont yersel King on the Destiny Stane."
One day, when she's older, I'll take my daughter over to the Arlington Bar, a fine wee pub in Woodlands Road where the GUSNA students hatched their plot in 1950, and she can sit on the wooden seat under which one of the real stones of destiny resides and crown herself queen.
* THE incoming Tory government in the early 1950s created an unproductive standing commission on devolution.
By 1955, more than half of all Scottish votes went to one party, the only time that this has ever happened. That was the Scottish Conservative and Unionist Party.
Fast forward to the dog days of the Major government in 1996 and you would see the hated Thatcherite Scottish Secretary Michael Forsyth return the Stone of Destiny again to Scotland in a shameless and vain attempt to curry favour. The Scottish Tories were wiped out in 1997.
Exposing the myths
A POWERFUL poster and website campaign exposing myths about rape is currently to be seen around Scotland.Going under the slogan "This is not an invitation to rape me," the posters are designed to challenge attitudes held by the public which blame women for their victimisation in cases of rape.
Originating in the US, its launch through Rape Crisis Scotland represents the first time that the campaign has been shared with another country.
Scottish Trades Union Congress women's committee chairwoman Cheryl Gedling welcomed the campaign.
"The STUC fully supports Rape Crisis Scotland's new campaign," she said. "It is absolutely vital that we tackle Scotland's appalling conviction rates in rape cases, along with the attitudes some people hold where they believe a woman may in some part be to blame."
Visit www.thisisnotaninvitationtorapeme.co.uk for more details.
Onwards to community rebirth
FOLLOWING last month's successful conference on trade unions and
community regeneration at the STUC, Clydebank TUC is holding a public
meeting on local issues of development and democracy. While local regeneration focused on river bank private development, the infrastructure and services needed by thousands of households in the post-war housing schemes have been neglected.
"Was this regeneration expenditure a hidden subsidy for large-scale property development which had nothing to do with the needs of local people?" asks Clydebank TUC spokesman Tom Morrison.
STUC deputy general secretary Dave Moxham will join local union leaders from Unite, GMB and UNISON to discuss these issues as well as the controversial pay offer and single status deal being put forward by West Dunbartonshire Council.
The Clydebank TUC meeting will be held tomorrow at 7.30pm in Clydebank Town Hall. All welcome.
Top turn from Star columnist
BROWSING through The List website
of what's on in Glasgow and Edinburgh at teatime on Thursday last week,
I came across an absolute must-see act appearing at the Oran Mor venue
in Glasgow's West End - none other than my colleague and Star
co-columnist Chris T-T and his band supporting his friend and fellow
Winchester songsmith Frank Turner. I rushed out and managed to catch the last half of Chris and his band's set. I wasn't sure what to expect, but high-octane loud punky guitar pop was an excellent surprise.
Makes me wonder what the other Star columnists get up to with their talents on their time off. I think that we should be told!
Turner wasn't bad at all either and, judging from the enthusiastic Glasgow crowd, he could be about to become a big star.